Previous Performances
& events

During the workshop we provide a wide variety of performances from interactive lectures to dance performances to our participants.

2020

20:15

We would like to invite IDW Budapest 2020 participants to a get-together evening with some traditional Hungarian beverage, music and fun.
Where: in the hall of SÍN Arts Centre
YOU ARE ALL WELCOME! :)

20:30

The new piece created by Adrienn Hód and BODHI PROJECT is focusing on paradoxical phenomenons between movement, stillness, monotonity and attitude. The deconstruction that can be observed through-out the piece brings together the tough athleticness of marching bands and the sensitivity of the Chopin nocturnes. The contradictory nature of the deconstructed performances thus force the audience to look beyond the object of their attention and observe a deeper sense. This way the dancers raise questions on individuality and collectivity while building a piece that brings strong provocative characteristics that are not unfamiliar to the work of Adrienn Hód.
Concept and choreography: Adrienn Hod
Dancers: BODHI PROJECT: Csenger K. Szabó, Imola Kascó, Jeanne Laurent Caron, Márton Gláser, Noémie Anneg, Cindy Ng
Light design: Frank Lischka
Production: BODHI PROJECT / blackmountain, SEAD
Premiere: Sommerszene Festival 2020, Salzburg (AUT)
Duration: +/- 45min


About Adrienn Hód
Adrienn Hód is a unique and innovative creator of the Hungarian contemporary dance scene, well-known internationally. Three of her pieces with her company HODWORKS (founded in 1997) have been selected into the 20 most outstanding contemporary dance pieces by Aerowaves European dance network. HODWORKS regularly appears at international festivals and theatres. She founded the OFF Company in 1995, and works regularly with Trafó House of Contemporary Arts. She has also collaborated with Tanzfabrik in Berlin, Headlands Centre for the Arts in San Francisco, Jardin d'Europe, Philadelphia Dance Exchange, Staatheater Bremen and SEAD (Salzburg Experimental Academy of Dance) among others. Hód was the movement designer of the Oscar-winning Son of Saul directed by László Nemes as well as of his second feature, Sunset.
Her choreographies tend to deconstruct, destabilize, and re-build already existing dance structures. The focus of her work is the performer’s status, as related to extreme human states and verbal and physical expression. Hód’s performances challenge taboos, enriched with a robust but delicate humour: a radical study of the body, free of prejudice. She opens up a parallel reality, which is built up from the unconscious and the ecstatic. Her audience is attracted to a “grey zone” where “presence” dominates “meaning”. Hód conceives of theatre as a safe space in which topics and discourse may be fathomed to the full extent of their depths, and made visible artistically. She always tries to push the boundaries of performative depiction and to open new space for perspective and narration behind taboos and conventions of gazes and expectations. The stage is a playing area to her, subducting itself from determination or interpretation of its signs. Her plays arrive at completely new dance forms and dramaturgic principles, again and again, radically rethinking the possibilities inherent in contemporary dance. HODWORKS emphasises the complexity and radicalism of personal expression, laying bare the multilayered constructs of identity. In this manner, Adrienn Hód’s works may also be read, in the context of endangered artistic and personal autonomy, as marking a movement of defence and of re-obtaining said autonomy.

20:30

(20 min)
Showing of the Creation Group’s work, choreographed by Joy Alpuerto Ritter.
Dancers and creators: Participants of the Creation Group

20:15

We would like to invite IDW Budapest 2020 participants to a get-together evening with some traditional Hungarian beverage, music and fun.
Where: in the hall of SÍN Arts Centre
YOU ARE ALL WELCOME! :)

20:30

(20 min)
We are made up by wounds.
Wounds are a condition of human beings they leave visibles and invisibles traces in our existence and in our memory.
How do they shape us? How occurs this process?
What grooves leave on our body?
They alter our present body, transforming and revealing a new reality.


Choreography–Dance : Maria Colusi
Original Music : Edgardo Rudnitzky
Duration: 18´

www.rudni.com
www.mariacolusi.com

21:00

This work is a fast paced and incredibly detailed snapshot of an endlessly repeating story. Trapped in cycles of aggression and loneliness, two men reshuffle and rationalize their hopelessness, lust and pride in to anger over and over again. Underneath layers of clothing, they are aware of how naked they feel.
Created in 2018/2019 with support from Creative Arts and Co. France, Spin Arts Management, Northern School of Contemporary Dance, TRAK Dance Ensemble, and School for Contemporary Dance and Thought.

Performed by: Erik Elizondo and Dimitri Kalaitzidis
Directed by Barnaby Booth in collaboration with Los Little Guys.

Trailer:

20:30

(20 min)
Showing of the Creation Group’s work, choreographed by Maria Kolegova.
Dancers, creators: Participants of the Creation Group

2019

21:00

We would like to invite IDW Budapest 2019 participants to a get-together evening with some traditional Hungarian beverage, music and fun.
YOU ARE ALL WELCOME! :)

21:00

Interactive lecture

In the past few year Zsuzsa have been giving interactive lectures to IDW Budapest participants about Soft Tissue Balancing, based on fascia anatomy, this year she will share some manual t techniques. During this lecture Zsuzsa will teach the most effective massage techniques to recalibrate the entangled fascia layers. She will teach you how you can balance your fascia meridians with movement and massage.
You will feel the change in your alignment right away and your body will start to correct itself the next couple of days.
YOU ARE ALL WELCOME! :)

21:00

founder and director of SEAD – Salzburg Experimental Academy of Dance”

SEAD Bodhi Project : ROUTES
21:00
Choreography by gn|mc Guy Nader and Maria Campos

ROUTES steers our attention to a journey of multiple paths inhabited by the complicity of six people that constantly defy gravity finding different strategies of cooperation that make the complex paths and situations achievable.
Through high precision partnering, dynamic constellations emphasizing a unique mass of bodies, GN|MC proposes a perceptual experience through persistence and perseverance, evoking an eternal present rooted in patterns of repetition and accumulation of oscillation creating complex mechanisms in space and time.

Extra information:

Choreography: GN | MC Guy Nader and Maria Campos
Performance: BODHI PROJECT dancers: Bernat Macià Perez, Cristina Valdivielso Garcia, Fenia Chatzakou, Elise Ludinard, Yun Liu, Jun Wang/Joan Aguila Cuevas
Lights: Frank Lischka
Production: blackmountain
Duration: +/- 40

About Bodhi Project:

Internationally touring company bodhi project is part of the blackmountain non-profit organization, an association to promote contemporary dance and performance in Austria and abroad. Its “home base” and production address is SEAD - Salzburg Experimental Academy of Dance.
Guided by the artistic visionary Susan Quinn, founder and director of SEAD – Salzburg Experimental Academy of Dance”, bodhi project's repertory is stylistically diversified and on tour throughout Europe and internationally. It showcases the artistic and technical excellence of the dancers' complex movement repertoire, demanding theatrical elements and a strong stage presence.
Internationally acclaimed choreographers Guy Nader and Maria Campos have been commissioned to create new work for the bodhi project dance company 2018/19.

About Guy Nader & Maria Campos:

GN | MC Guy Nader | Maria Campos is an independent ensemble based in Barcelona, Spain. The Lebanese and Spanish artists collaborate together since 2006; their works have been shown in various festivals and venues around the world.
GN|MC have been invited as guest choreographers to create for different European companies: EnKnapGroup in Slovenia, Eva Duda Dance Company/Movein Mission in Hungary, Tanzmainz Company in Germany. They have been awarded the German theatre prize DER FAUST 2017 for their work FALL SEVEN TIMES created with Tanzmainz, Staatstheater Mainz in Germany.
GN | MC have been developing their own artistic language through movement and constantly redefining themselves while searching for new contexts and territories for dance. Together they have drawn a common interest in the partnering work where they experiment new ways of approaching the relation between two or more bodies, developing strategies and tasks in order to provide the body a distinct image and perception.


21:00

We would like to invite IDW Budapest 2019 participants to a farewell party on Friday night!
YOU ARE ALL WELCOME! :)

21:00

We would like to invite IDW Budapest 2019 participants to a get-together evening with some traditional Hungarian beverage, music and fun.
YOU ARE ALL WELCOME! :)

21:00

Interactive lecture

Anikó Rácz, the international relations manager of SÍN Arts Centre will give you a brief insight into how to develop an international professional network, starting from the very beginning. A brief, interactive journey into the practical but very necessary aspects of developing an artistic career.

21:00

Collective Dope
BEAT ‘I just wish to feel you’

One of the most essential human connection is touching. Our life begins in the womb of our mother the most intimate place for a human being. After being born we are staying in close physical contact with our parents until the moment of separation. This caring through physical contact, feeling and touching has a enormous effect on our psychological and sociological skills.

For the millennial generation the physical encounters are becoming less and less regarding these essential forms of connections with others around us. In our accelerated world of new media, endless choices and possibilities we spend fewer time physically with our families and friends. When we swipe form left to right and communicate with many people simultaneously we barely notice the loss of real interactions. From a far distance we are followers, fans and voyeurs while reinventing ourselves as on-screen-superhuman. These new ways of connecting make us feel that we are deeply related with others, while we are missing real encounters, handshakes, hugs and movements that communicate our true feelings.

Jenna Jalonen aka triplejay and Jonas Garrido Verwerft, a contemporary dancer and a b-boy, are investigating together in this topic through a physical and emotional aspect of the ‘dead body’ -partnering quality. Constantly changing roles as the passive and active, manipulator and the manipulated, the two bodies barely disconnect from each others touch.
Reflecting to different human behaviours and position in relationships. By using their individual strong movement and dance backgrounds, the artists are creating physical, acrobatic yet very intimate duet that leaves freedom for the witness to have their own associations and stories.

The human voice, like physical contact, can express many forms of intimacy and intention; the two often act together where one can complement or contradict the other. The texture of the voice and the quality of the movement suggest what something means and how it is perceived.
At birth our voice already plays a crucial role. It is the primal form of self expression as we enter this world and the first important communication of one’s existence and state, not conscious but spontaneous.
For this reason, the human voice is taken as central part of the musical composition and performance which will be performed live by Adrian Newgent aka Modern Errors, together with the dance. Using technology designed for live musical performance, the voice (sound) is recorded, looped, layered and transformed as a reaction or intentional contradiction to the movement on stage and will form the base of the music. Nonetheless it is the raw organic quality and physical manifestation of the voice and movement which defines the auditory experience.
Next to the microphone used by the sound artist, there are microphones placed on stage with the dancers in order to capture the sound of their movement to be used with the composition. With other words: anything the dancers do has the potential to become part of the music as well.

Concept, creation, performance: Jenna Jalonen, Jonas Garrido Verwerft
Live sound composition: Adrien Newgent
Dramaturgy: Alexander Vantournhout
Production manager: Cynthia Schenkels
Production Assistant: Janka Vámos
Production: Collective Dope, Straatrijk
Co-Production: Workshop Foundation
Support: Life Long Burning, EMMI, NKA, Ultima Vez, Stad Leuven

The project is supported by European Union Culture Program

21:00

We would like to invite IDW Budapest 2019 participants to a farewell party on Friday night!
YOU ARE ALL WELCOME! :)

2018

We would like to invite IDW Budapest 2018 participants for a get-together evening with some traditional beverage, music and fun.
YOU ARE ALL WELCOME! :)

Choreography: Lali Ayguadé
In this world we are constantly living with good and bad, what is right and what is wrong, with beauty and ugliness…and one always exists because of the other, we can not imagine one of them existing by itself, and both of them are necessary for the other to exist.
This piece is about these two worlds coexisting together. Good and evil, ugliness and beauty part of the intricate embroidery of life itself.
Dancers: Tina-Forés-Hitt, Máté Horváth, Ruby Frances Jones, Luca Kancsó, Tilly Sordat, Félix Urbina Alejandre
Premiere: New Faces New Dances Festival, Salzburg, Austria, 12./14.2.2018
Production: SEAD – Salzburg Experimental Academy of Dance
Rehearsal director: Maja Poturovic
Duration: +/- 30min

When one part moves, the body as a whole responds. Functionally, the only tissue that can mediate such responsiveness is the connective tissue. If there is a disturbance in the flow of motion (blocked joint, injury, scar tissue, over-use…) the body’s response is to shift the structure away from the pain, some parts starts to hold more weight and becomes harder that leads to over-use and he pain you had originally is moving to an other part. In the workshop you learn the structure of the soft tissue (fascia), you learn connections of holding patterns you never thought of, you learn how to detangle the knots and you learn exercises to maintain a balanced structure.

Zsuzsa Rózsavölgyi, dancer/choreographer studied at Budapest Dance School, Salzburg Experimental Academy of Dance (SEAD) and P.A.R.T.S. in Brussels. She worked with Anne Teresa De Keersmaeker in Rosas for 5 years. Currently she is working with Thierry De Mey, composer on his new creation. Since 2009 she creates her own work with physically demanding processes. For years she researched on how to maintain her and her dancers physical and emotional needs during creation time and prepare herself and her dancers to reach their peak performance.

https://en.wikipedia.org/wiki/Myofascial_release

In his book “The impossible nude”, François Jullien is looking for the essence of the nude through the comparison of the Western and Chinese philosophy. One of his conclusion is that the denuded, naked human body is always objective. It could become a subject only when it veils its nudity. Wearing clothes draws the spectator’s focus onto the person’s spirit and personality. On the contrary: nudity is what draws our attention to the essential.
According to historians, dance is the root and most ancient form of all kind of performing art. From this perspective we can call it also a proto – performance.
Regardless of culture, religion, language or any other identity–defining aspect, this is an art form which can be found universally all around the world.
Moreover, dance is beyond the human being – we know many species, who dance their very own dance. What is common in the dance of the humans and the animals is the authentic instinct, where instead of its aesthetic experience it holds a practical function: a sophisticated evolutionary tool for choosing a mate
Through a female and a male dancer, Eroica Universalis is reaching to this movement experience growing out of our ancient, authentic instinct. Their dance is a rapture of the never-ending circulation that evolves from the tension between the two parts of a divided universe. This performance is a lyrical representation of the tragedy that is derived from the intention of creating a unison, which can never be processed. A contemporary adaptation of the eternal, “lonely together” ballade.


Authors & Performers: Beáta Egyed (HU), Gyula Cserepes (SRB/HU)
Light: Ints Plavnieks (LV/SK)
Music: Januš Aleš Luznar (SI)
Costume: Judit Kis (HU)
Photographer: Dániel Dömölky (HU)

Production: ATELIER 21220 (HU)
Promotion producer: Péter Boldizsár (HU)
Coproduction partner: OFF Foundation (HU)
In partnership with Workshop Foundation (HU).
Supporters: Audio-Technica (HU), Life Long Burning (EU), Movein Studio (HU), NKA (HU), SÍN Culture Centre (HU), Zagreb Dance Center (CRO)

The performance has been created in the frame of Life Long Burning – Dance Works! Program with the support of the Cultural Program of the European Union.

We would like to invite IDW Budapest 2018 participants to a farewell party on Friday night!
YOU ARE ALL WELCOME! :)

2017

We would like to invite IDW Budapest 2017 participants for a get-together evening with some traditional beverage, music and fun.
YOU ARE ALL WELCOME!

When one part moves, the body as a whole responds. Functionally, the only tissue that can mediate such responsiveness is the connective tissue. If there is a disturbance in the flow of motion (blocked joint, injury, scar tissue, over-use…) the body’s response is to shift the structure away from the pain, some parts starts to hold more weight and becomes harder that leads to over-use and he pain you had originally is moving to an other part. In the workshop you learn the structure of the soft tissue (fascia), you learn connections of holding patterns you never thought of, you learn how to detangle the knots and you learn exercises to maintain a balanced structure.

Zsuzsa Rózsavölgyi, dancer/choreographer studied at Budapest Dance School, Salzburg Experimental Academy of Dance (SEAD) and P.A.R.T.S. in Brussels. She worked with Anne Teresa De Keersmaeker in Rosas for 5 years. Currently she is working with Thierry De Mey, composer on his new creation. Since 2009 she creates her own work with physically demanding processes. For years she researched on how to maintain her and her dancers physical and emotional needs during creation time and prepare herself and her dancers to reach their peak performance.

https://en.wikipedia.org/wiki/Myofascial_release

We would like to invite IDW Budapest 2017 participants to take part and have fun in this impro jam with live music by Áron Porteleki.
About Áron Porteleki:
Áron Porteleki is a drummer and viola player. He’s got his first instrumental experiencies at the Budapest Brand Dance Movement and also from informants of Transylvania. He studied jazz later in different musical shcools. In Budapest he’s got great masters and his main instrument became the drum. Áron is an active member of many experimental, freejazz, contemporary, and folk formations and really decisive in the underground musical life of Budapest. As a musician and performer he’s touring with different contemporary dance pieces in Hungary and abroad such as: Dányi-Molnár-Vadas: Skin Me, Máté Mészáros: Hinoki, Márton Debreczeni: Visszaröpülés. His name is associated with many formations like Dorota, 12z, Czitrom-Porteleki duó, Poros/ with his father László Porteleki/, Trio Porteleki-Tärn-Pärnoja (EST/HU), Argo (SRB/GR/HU) and Gnú.

Video: https://www.youtube.com/watch?v=Fyg9_hswHyw

Choreography and dance: Natalia Iwaniec
Stabilization and the lack of stabilization. My life top a certain degree became a nomadic life. It is hard for me to stay in one place so at the same time it is difficult for me to settle. I am constantly
looking for something: for home, for love, for work, for friends, for dance, for freedom. Life is a journey and you get to decide how you will travel. Yo can travel alone or with others, you can travel to find answers, to find home or to escape home. I am in constant search for my promised land.

– performers: David Miko & Dorottya Podmaniczky –

Gods. Humanlike animal. Animal-like human. Godless animal. Animal-eating human made by bored gods. Man-eating gods. Cannimal. Two-thirds god and one third animal. Two-thirds god and one third man. Two-thirds human, one third animal. Semi-God, half man. God-fearing human: animal of fear. Halfman-fearing animal. Half-half animal. Half-man, half-animal. Divine bitch. Two-thirds man and one third women. Human or animal? And where are the gods?

Video: https://vimeo.com/241078252

We would like to invite IDW Budapest 2017 participants for a goodbye gulash dinner on Friday night in the garden of the building.
For vegetarians we will make some nice and fresh salad☺
When: 20:30-23:00
Where: Garden of the workshop building

YOU ARE ALL WELCOME☺

2016




Live music by László Porteleki: Violin, sing/voice and Áron Porteleki: 3 stringed-viola, hit-gardon

Enjoy this Monday evening with live music and get the chance to learn some steps of traditional folk dancing with Gyula Cserepes. You are all welcome! ☺

László Porteleki: Violin, sing/voice

Amongst folk music lovers László Porteleki is a really popular artist since 1974. His first formation called ,,Rezeda táncház” band – „táncház” means barn dance – and with his collegues they founded the „TÉKA” band in 1976. Since the beginning of the 80's he's been teaching folk music in Hungary and abroad as well. László was one of the founding member and teacher of the folk music department of Nádasdy Kálmán School of Music. He's a member of „Muzsikás” band since 1998. They are touring in the country with their program called „Rendhagyó Énekóra” what means irregular singing lesson. He founded the „Poros” band in 2009. Following the old and legendary path of barn dance /Sebő,Muzsikás,Téka/ they organize a „clubnight” at Fonó regularly.


Áron Porteleki: 3 stringed-viola, hit-gardon

Áron Porteleki is a drummer and viola player. He's got his first instrumental experiencies at the Budapest Brand Dance Movement and also from informants of Transylvania. He studied jazz later in different musical shcools. In Budapest he's got great masters and his main instrument became the drum. Áron is an active member of many experimental, freejazz, contemporary, and folk formations and really decisive in the underground musical life of Budapest. As a musician and performer he's touring with different contemporary dance pieces in Hungary and abroad such as: Dányi-Molnár-Vadas: Skin Me, Máté Mészáros: Hinoki, Márton Debreczeni: Visszaröpülés.
His name is associated with many formations like Dorota, 12z, Czitrom-Porteleki duó, Poros/ with his father László Porteleki/, Trio Porteleki-Tärn-Pärnoja (EST/HU), Argo (SRB/GR/HU) and Gnú.

When one part moves, the body as a whole responds. Functionally, the only tissue that can mediate such responsiveness is the connective tissue. If there is a disturbance in the flow of motion (blocked joint, injury, scar tissue, over-use…) the body’s response is to shift the structure away from the pain, some parts starts to hold more weight and becomes harder that leads to over-use and he pain you had originally is moving to an other part. In the workshop you learn the structure of the soft tissue (fascia), you learn connections of holding patterns you never thought of, you learn how to detangle the knots and you learn exercises to maintain a balanced structure.

Zsuzsa Rózsavölgyi, dancer/choreographer studied at Budapest Dance School, Salzburg Experimental Academy of Dance (SEAD) and P.A.R.T.S. in Brussels. She worked with Anne Teresa De Keersmaeker in Rosas for 5 years. Currently she is working with Thierry De Mey, composer on his new creation. Since 2009 she creates her own work with physically demanding processes. For years she researched on how to maintain her and her dancers physical and emotional needs during creation time and prepare herself and her dancers to reach their peak performance.

https://en.wikipedia.org/wiki/Myofascial_release

Event description:
We would like to invite IDW Budapest 2016 participants to take part and have fun in this impro jam with live music by Gyík zenekar.

About Gyík zenekar:
Gyík zenekar was established in 2012, Budapest. With an one MC , two guitars and one looper pedal comparing to anything we play something different. We give concerts, perform on festivals and in 2014 we made our very first album.

Viktor Nagy rap/lyrics
Borsa Balogh guitar/beatbox/loops/cajon
Andras Lukovich guitar

During cell division the original cell divided into two absolutely identical cells. This is the process of mitosis. After fertilization the dividing cells are arranged in geometric figures which were found in drawings of different ancient cultures.

The correlations suggest the existence of a universal law. A hidden code in nature, on our planet and in the universe. We live in a world of mathematics and symbols actually.

The duality of opposing energies and the eternal flow between unity and separation are the true essence of Life. We see it in the interdependence between Man and Woman.

Are there connections between geometric shapes, musical frequencies, and ancient ritual symbols? How do these informations affect us? Can we change our thoughts about Life, about ourselves, about relationships?

Our research is about finding meeting points of female and male energies in a different way. On cellular level.

„Never before have relationships been as problematic and conflict ridden as they are now. If you accept that the relationship is here to make you conscious instead of happy, then the relationship will offer you salvation, and you will be aligning yourself with the higher consciousness that wants to be born into this world. For those who hold on to the old patterns, there will be increasing pain, violence, confusion, and madness.” (Eckhart Tolle)

IDW16 has invited “SELFY”, a performance by Gyula Cserepes. For this special occasion, the author will prepare a unique version of the original performance, which will be performed only on this festival. It is a one-time opportunity to:

“When you look into my eyes, what you can see is the reflection of yourself”
/Gyula Cserepes/

SELFY is an artistic space created for self-reflection. In this open-source performance, where spectator and performer share the same “stage” in close proximity, the experience wins over “narrative”. Gyula is dancing on the thin line between trance and representation.

SELFY is a constant journey between in and out, between the internal universe and the external world – the reality. While jumping continuously, Gyula aims to become so thin, so transparent that his identity could evaporate, allowing the spectator to see his own reflection. The performer becomes an abstract mirror and having a look into it, one might ask himself: who am I really? Is my identity what I used to think it is?


Author&performer: Gyula Cserepes
Music: László Mádi
Production: Gyula Cserepes
Co-production: En-Knap Productions
Support: Stanica SK, Garage29 BE, Workshop Foundation HU, Új Előadóművészeti Alapítvány HU
Special thanks to the friends, families and colleagues who supported the process and made the creation possible

Photo: Tamás Tuza

We would like to invite IDW Budapest 2016 participants for a goodbye gulash dinner on Friday night in the garden of the building.
For vegetarians we will make some nice and fresh salad☺
When: 20:30-23:00
Where: Garden of the workshop building

YOU ARE ALL WELCOME☺

2015

Monday 20:30

We would like to invite IDW Budapest 2015 participants for a get-together evening with some traditional beverage, music and fun.
YOU ARE ALL WELCOME! :)

Event description: presentation, open conversation
In case you need some guidance how to contact companies or apply and attend an audition. This presentation is designed to give you support on how to prepare and what to expect out of a dance audition. A guide to help you to be more accurate in your decision and sharper on the way to get it!

About Kristof:
Kristof studied classical ballet at the Hungarian Dance Academy for nine years. During this period he received both national and international awards and scholarships. Since his graduation he had danced in several genres ranging from contemporary dance through circus to classical ballet and have worked with numerous companies. Among others these included Ballet Preljocaj, Cie Pál Frenák, Cirque du Soleil, Cullberg Ballet or most recently the Royal Swedish Ballet.

Event description:
We would like to invite IDW Budapest 2015 participants to take part and have fun in this impro jam with live music by Gyík zenekar.

About Gyík zenekar:
Gyík zenekar was established in 2012, Budapest. With an one MC , two guitars and one looper pedal comparing to anything we play something different. We give concerts, perform on festivals and in 2014 we made our very first album.

Viktor Nagy rap/lyrics
Borsa Balogh guitar/beatbox/loops/cajon
Andras Lukovich guitar

Mortality – destruction – re-created reality. A uniqueal triptych. The latest piece by Máté Mészáros, the member of the Belgian Ultima Vez company led by Wim Vandekeybus focuses on this special trinity. As his creative partners, he has chosen Hungarian dance artists studying in foreign schools or institutes or who are currently working abroad. A unique conjunction and a special challenge for both dancer and artist.
Choreography: MÉSZÁROS Máté
With: DÁNYI Viktória, HORVÁTH Nóra, JUHÁSZ Péter, MÉSZÁROS Máté, MIKÓ Dávid, PORTELEKI Áron, VARGA Csaba
Music: PORTELEKI Áron
Costume: KALICZ Klára
Set: MÉSZÁROS Máté
Light: STADLER Ferenc, VAJDA Máté
Photos: DÖMÖLKY Dániel
Production manager: RÁCZ Anikó
Sponsors: Life Long Burning, Az Európai Unió Kultúra programja, Ultima Vez, Trafó Kortárs Művészetek Háza

The young Hungarian performance artists Bea Egyed and Milan Újvári present a highly physical, sometimes combative duet that explores the dynamics of love. The two prod and push, dress and undress, and provoke anger and tenderness in each other. The duo appears as part of the upcoming new generation of Hungarian dance theater artists.

"Intimate, lyrical, unashamedly shy and also a fun addition to the seriousness of the confession that demented state, which is otherwise called love."
(Livia Fuchs: Ketten Kétfelől, Élet és Irodalom, May 3. 2013)
„Love is complicated, isn’t it? In case you needed a reminder, the Hungarian duo Radioballet has choreographed The Nature of Love.”
(Siobhan Burke, The New York Times, December 7. 2014.)
Awards: Nominated for Rudolf Laban Prize 2014.
Choreographed and performed by: Bea Egyed, Milán Újvári
Music: Montage
Text: Miklós Radnóti, Charles Bukowski
Assistant of dramartugy: Máté Andrássy
Photo: Dániel Dömölky
www.facebook.com/radioballet.page

We would like to invite IDW Budapest 2015 participants for a goodbye gulash dinner on Friday night in the garden corner of the building.
For vegetarians we will make some nice and fresh salad☺
Chef: Noemi Acs
When: 20:30-23:00
Where: Garden corner of the workshop building



YOU ARE ALL WELCOME☺

2014



This award winner solo, is a meeting of a body a text and and an object. "From the waltz to the mambo" is combining dance, theater, and pantomime in order to create unpredictability and surpiseness in a very personal and straight forward way. What could dance or beauty have meant fifty years ago and what dose it mean today? Do we need education?
( "Public's Prize" and "The Best Solo Prize" 2012 Budapest International SoloDuo Festival, "Public's Final Choice" Prize 2013 Stuttgart Internationales Solo Tanz Theater Festival, "Audience Prize" 2013 Gdansk International Solo Dance Contest)

Radioballet is a platform of two hungarian independent dance artists, Bea Egyed And Milán Újvári.
After finishing her studies in the medium level Art School of Pécs and the Hungarian Dance Academy Bea Egyed became a freelance dance artist. The last couple of years she worked with several independent choreogrpahers such as , Rita Góbi, Klári Pataky, Ferenc Fehér, Eleonore Valere-Lachky and The Symptoms. Beside of her own project’s she is currently working with the Éva Duda Dance Company.
After finishing his studies in the Epicentrum Dance School of Dunaújváros and the Hungarian Dance Academy Milan Újvári has been working with several companies such as Compagnie Pál Frenák, Cirque du Soleil-Delirium and Krétakör Theater. After that he became a freelancer dance artist working with choreographers like Anna Réti,Rui Horta, Nigel Charnock and Éva Duda. Beside of his own projects he teaches in several dance schools and studios in Hungrary.

Choreographed and performed by: Milán Újvári
Lights and sound: Ferenc Payer, Róbert Kormos
Music: Richard Cheese
Photo: Csaba Mészáros

"Rhythm is the first information we receive. It is the bridge that guides us from the world before birth into this world when we are born. When you are in your mother's womb, you hear the heartbeat and the flow of blood; you feel the mother's movement and you hear the rhythm of her speech.
All of that is rhythm. You are not understanding what is happening, but you are feeling rhythm. As you grow, there are millions of brain cells that have to fire in a rhythmic synchronization in order for you to understand what is happening around you. Without the senso-motoric system, you could not move or think or make any sense of the world. That you can see or hear something is all based on rhythm." /Reinhard Flatischler/
I believe that dance can alter one's perception of being an individual into perceiving, that as an individual he is part of a community. The bridge is an accessible, open situation where rhythm - this universal language - is the base for communication. Breaking the so-called "fourth wall" between audience and performer I offer a unique experience to the spectator: the sensation of the power of dancing.
Author & performer: Gyula Cserepes Special thanks to: OFF Foundation, Budapest HU; En-Knap Productions, Ljubljana SLO; Voklsroom, Brussels BE


Bio:
Gyula Cserepes Dancer, performer and choreographer of Hungarian origins born in Bečej (former Yugoslavia). He studied at the "High-school of Folk Arts" and the "Budapest Contemporary Dance Academy", in Budapest. Gyula is the former member of the companies: "Central-Europe Dance Theater" (HU) and "En-Knap Group" (SLO). Among other pedagogues, directors and choreographers, he has worked with David Zambrano, Anton Lachky, Milan Tomašik, Simone Sandroni, etc. As an author, his work includes the interdisciplinary, site-specific performance "Revive the Castle", and the dance-theater show "New Age Gypsies".

Event description:
We would like to invite IDW Budapest 2014 participants to take part and have fun in this impro jam with live music by Gyík zenekar.

About Gyík zenekar:
Gyík zenekar was established in 2012, Budapest. With an one MC , two guitars and one looper pedal comparing to anything we play something different. We give concerts, perform on festivals and in 2014 we made our very first album.

Viktor Nagy rap/lyrics
Borsa Balogh guitar/beatbox/loops/cajon
Andras Lukovich guitar

2013

Event description:
We would like to invite IDW Budapest 2013 participants to take part and have fun in this impro jam with live music by Gyík zenekar.

About Gyík zenekar:
Gyík zenekar was established in 2012, Budapest. With an one MC , two guitars and one looper pedal comparing to anything we play something different. We give concerts, perform on festivals and in 2014 we made our very first album.

Viktor Nagy rap/lyrics
Borsa Balogh guitar/beatbox/loops/cajon
Andras Lukovich guitar

Copyright @2013-2021 SUB.LAB event production / International Dance Week Budapest